Most event coverage arrives a week late, when the conversation has already moved on. Same-day delivery flips that: your first images are posted while the room is still full. Here is exactly how we run it, and what you should ask any production team before you book it.
Why same-day matters more than a perfect gallery
An event has a short window of attention. Guests are posting, journalists are filing, your team is tagging partners. If the only images available that night are phone photos, that is what represents your brand. Delivering a set of finished frames within a few hours means your channels, your speakers and your sponsors all publish the same considered look.
The full gallery still matters — it is what goes into the report, the case study and next year's deck. But it does a different job, and it can take a week without costing you anything.
The on-site workflow
- Cards are offloaded in rolling batches — usually every 45–60 minutes — rather than at the end of the night.
- A second person edits on site: culling, exposure, colour and crop against a preset built from your brand guidelines before the event.
- Selects go into a shared folder or straight to your social manager's phone, sized for stories, feed and press.
- Vertical video is cut in parallel, so a 15–30 second clip is ready alongside the stills.
Realistic timings
| Deliverable | When |
|---|---|
| First 10–15 edited photos | Within 60–90 minutes of the first batch |
| Rolling selects through the event | Every hour |
| 30–60 same-day edited images | Before the event closes or within 2 hours after |
| Vertical clip for stories/reels | Same night |
| Full edited gallery (150–400 images) | 5 days |
| Recap film (60–90s) | 7 days |
What has to be agreed before the day
- A named approver who can say yes to images in minutes, not hours.
- A shortlist of must-have moments: keynote, ribbon cut, sponsor wall, product detail, the room full.
- Aspect ratios and where they are going — 9:16 for stories, 4:5 for feed, 16:9 for press.
- Whether logos, guest faces or unreleased product need to be excluded.
- A workspace with power and a table. Editing on a windowsill slows everything down.
What same-day does not mean
It does not mean the whole gallery in an evening, and it does not mean heavy retouching. Same-day frames are colour-corrected and cropped, not composited. Anything that needs skin work, object removal or graded video goes into the standard turnaround.
The right question is not 'how fast can you send everything', it is 'what do we need before midnight, and what can wait until Friday'.
How we price it
Photo and video are quoted as one package, never split, and same-day selects are included in event coverage rather than sold as a rush fee. On larger events a second operator plus a dedicated on-site editor is the difference between a handful of images and a genuine same-night set.
Planning an event where the content needs to land the same night? Send us the date and the run of show.
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